The Practices of Maleficium in English Literature

##plugins.themes.bootstrap3.article.main##

Shaima F. Hasan

پوختە

There is a long tradition among scholars to establish a link between the practice of black magic and culture. Black magic is seen as a category under which various beliefs and practices which are usually separated from religion and science are placed. These practices are most of the time associated with evil and demons. It has been observed that the role of black magic and witchcraft influenced Western societies to a large extent as it was not only the subject of literature but also of the interest to the whole society. Fears of witchcraft and black magic grew more intense and consequently led to “witch hunts” in many Western societies. In this paper, I argue that in English literature, the practice of black magic and witchcraft has been represented as a cultural practice. My paper provides a quick survey to trace back the practices of witchcraft in selected literary works from English literature. In my analysis, I focus of how the practice of black magic and sorcery is embedded within the texts to reflect people’s obsession of it. For the sake of my argument, I will use the word “Maleficium” as an umbrella term to refer to all the practices, which include: Black magic, witchcraft, sorcery, necromancy, and voodoo

##plugins.generic.usageStats.downloads##

##plugins.generic.usageStats.noStats##

##plugins.themes.bootstrap3.article.details##

بەش
Articles
ژیاننامەی توێژەر

Shaima F. Hasan, Department of English Language, Faculty of Humanities and Social Sciences, Koya University, Kurdistan Region, Iraq

Shaymaa F. Hasan., is an academic staff at the Department of English Language, Faculty of Humanities and Social Sciences, Koya University in Kurdistan Region, Iraq. She Joined Koya University in September 2005 as a lecturer in English Short Story and Novel.  She holds a BA in English Language and Literature, University of Baghdad (2001) and MA in American Short Story (2004), University of Baghdad, Iraq. She got she's Ph.D. in Modern English and American Novel (2013), Koya University, Kurdistan. She’s research and teaching interests are in English and American Novel, Short Story, Renaissance Drama, Modern Drama and Feminism. She teaches Renaissance and English Novel for Undergraduates. She teaches Modern Drama for Post Graduates. 

 

سەرچاوەکان

Adams, W.H.A. (1889) Witch, Warlock, and Magician: Historical Sketches of Magic and Witchcraft in England and Scotland. London: Chatto and Windus.

Armitage, N. (2015) European and African figural ritual magic: The beginnings of the voodoo doll myth. In: Houlbrook, C. and Armitage, N., (eds.), The materiality of magic: An artifactual investigation into ritual practices and popular beliefs. Oxford: Oxbow.

Boris, F. (1982) The age of Shakespeare: The new pelican guide to English literature. Vol. 2. London: Penguin.

Carr-Gomm, P. and Heygate, R. (2009) The book of english magic. New York: Overlook Press.

Christian, W.K. and Mesmer, F.A. (2011) Mesmerismus: Oder, system der wechselwirkungen, theorie und anwendung des thierischen magnetismus als die allgemeine heilkunde zur erhaltung des menschen in German, facsimile of the. Cambridge: Cambridge University Press.

Marlowe, C. (1892) Tragical history of Dr. Faustus: Greene: Honourable history of friar bacon and friar Bungay. Princeton University: Clarendon Press.

Flint, K., (ed.). (2014) The Cambridge history of Victorian literature. Cambridge: Cambridge University Press,

Herrington, H.W. (1919) Witchcraft and magic in the Elizabethan drama. The Journal of American Folklore, 32, pp. 447-485.

Hutton, R. (1999) The triumph of the moon: A history of modern pagan witchcraft. Oxford: Oxford University Press.

Karl, W. (1972) The element of witchcraft in the scarlet letter. Folklore, 83(2), pp. 132-153.

Kierner, C.A. (2015) Virginia women: Their lives and times. Athens, GA: University of Georgia Press.

Lauren, W. (1987) History of the concept of empathy. In: Eisenberg, N. and Strayer, J., (eds.), Empathy and Its Development. Cambridge: Cambridge University Press.

Levin, C. (2016) Witchcraft in Shakespeare’s England. Manchester: The British Library.

Paterson, J. (1960) The poetics of the return of the native. Modern Fiction Studies, 6(3), pp. 214-222.

Petersen, J.A (2009) Contemporary religious Satanism: A critical anthology. Cheltenham: Ashgate Publishing, Ltd.

Petsche, S. (2011) Something wicked this way comes: Witchcraft in Shakespeare’s Macbeth and the connection to Elizabethan England. England: Stephanie Petsche.

Powell, P.H. (1965) On teaching the return of the native. The English Journal, 54(3), pp. 217-222.

Richard, M.G. (2006) Encyclopedia of witchcraft: The Western tradition. Santa Barbara: ABC-CLIO. Rosenberg, M. (1978) The masks of macbeth. Berkeley: University of California.

Russell, J.B. Witchcraft-Encyclopædia Britannica. Available from: http://www. Britannica.com. (Accessed: 29 June 2013).

Summers, M. (1946) Withcraft and black magic. London: Courier Dover Publications.

Thomas, H. (2012) The return of the native. New York: Cornell University.

Tonge, M. (1932) Black magic and miracles in macbeth. The Journal of English and Germanic Philology, 31(2), pp. 234-246.

Traister, B.H. (1984) Heavenly necromancers: The magician in English renaissance drama. Columbia, MO: Missouri Press.

Tyson, D. (2004) Familiar spirits: A practical guide for witches and magicians. Minnesota: Llewellyn Worldwide.

Waite, A.E. (2006) The book of black magic and ceremonial magic. California: The Book Tree.

Walter, D. (2012) Why English culture is bewitched by magic. Fantasy books. The Guardian. Newspaper.

Shakespeare, W. (1965) Macbeth. Harlow: Pearson Education Limited.

Yates, F. (2004) The occult philosophy in the Elizabethan age. New York: Routledge.

Yehuda, N.B. (1980) The European witch craze of the 14th to 17th centuries: A sociologist’s perspective. American Journal of Sociology, 86(1), pp. 1-31.

ئەو توێژینەوانەی ئەم نوسەرە کە زۆرترین جار خوێندراونەتەوە.