Jalal Mirza Karim's Poetic Language Style, From the Collection of Poems of (Regadurakany Chawman).

Abstract

This research, from a methodological perspective, explores the poetic language of Jalal Mirza Karim, aiming to clarify the relationship between language, literature, and poetic expression. Language serves as a flexible system for communication, and poets utilize its elements to convey nuanced meanings. In the case of Jalal Mirza Karim, the distinctive use of vocabulary, expressions, and stylistic deviations—both semantic and grammatical—forms the core of his poetic identity. These deviations reflect a unique poetic treatment that transforms ordinary language into a literary and artistic medium. As a leading figure of the Ruanga movement, Karim introduced innovative features into Kurdish poetic language. This study highlights his emphasis on poetic music, including external music (meter and rhythm) and internal music (repetition of sounds and words). His manipulation of syntax, inversion, and linguistic structures created a new musicality and topography in poetry, departing from conventional grammatical norms to achieve artistic effect. The research adopts a descriptive-analytical approach to interpret the linguistic features in Karim’s poetry collection (Rega Durakany Chawman). By isolating specific language units, the study reveals how the poet's stylistic choices contribute to the literary quality and uniqueness of his works. The findings confirm Karim’s role in redefining poetic language within modern Kurdish literature.