Body Language in the Poetry of Several Kurdish Poets

A Case Study of Abdulla Pashew, Latif Halmat, and Kajal Ahmad

Abstract

Language is one of the fundamental principles of textual structure, particularly in poetry. It is subject to various criteria depending on the psychological state being expressed. Both linguistic and non-linguistic expressions are directly related to the human mind. This research explores the role of body language in expressing feelings and thoughts in poetry and how physical movements can become a silent symbol for the deep connection between individuals. Body language invites the reader to interpret bodily gestures in a way that transcends a specific and tangible meaning. This perspective can lend a sense of mystery to the poem, which may be reflected symbolically, emotionally, or even spiritually. In poetry, body language plays a crucial role and becomes a significant part of poetic aesthetics. This study highlights the ability of several poets to use body language, including (Kajal Ahmad, Abdulla Pashew, Latif Halmat, Faraidun Abdul Barznji, and Salih Bechar). A descriptive analysis of their poems was conducted, and a comprehensive statistical survey on the use of body language was carried out using samples from their poetry collections. It was revealed that the eye is a significant source of body language for every poet, followed by the mouth, lips, and face, and then the neck, hands, wrists, and shoulders, respectively. The study consists of two parts: the first part discusses the theoretical aspects of body language, and the second part discusses body language in poetry, presenting its psychological effects and analyses.