الإكراه مقابل الإرادة: نظرة عامة على مسرحية (هيدا جابلر) ل(هنريك ابسن)

Altenbernd, L. & Lewis, L. L. (1966). A Handbook for the Study of Drama. London: Collier-Macmillan Limited.

Archer, W. (n.d.) “Introduction” to Ibsen’s Hedda Gabler. Dodo Press.

Aryal, B. (2007) ‘Ellida as a New Woman: A Study of Ibsen's The Lady from the Sea’. MA thesis. Tribhuvan University. Available at: https://elibrary.tucl.edu.np/bitstream/123456789/7832/1/thesis.pdf [Accessed 28 Jan. 2024].

Butler, J. (1999) Gender Trouble: Feminism and the Subversion of Identity. New York and London: Routledge.

Ellis-Fermor, U. (1950) “Introduction” to Henrik Ibsen: Three Plays. Penguin Books.

Ghafourinia, F. and Jamili, L. B. (2014) “The Women’s Right in Henrik Ibsen’s A Doll’s House.” Journal of Novel Applied Sciences. 3 (4): 424-429, Available online at https://www.blue-ap.com/J/Journal_of_Novel_Applied_Sciences [Accessed 20 April. 2024].

Gosse, Edmund (n. d.) Henrik Ibsen

Guerin, Wilfred L. et al (2005) A Handbook of Critical Approaches to Literature. New York: Oxford: Oxford University Press.

Habib, M. A. R. (2011) Literary Criticism from Plato to the Present Day: An Introduction. West Sussex: John Wiley & Sons, Inc.

Helland, F. & Holledge, J. (eds.) (n. d.) Ibsen on Theatre. London: Nick Hern books.

Hossain, A (2016) “Ibsen’s Treatment of Women”. Journal Socialomics, vol 5, pp. 1-9. Available at: https://www.researchgate.net/publication/299547964_Ibsen's_Treatment_of_Women [Accessed 25 Jan .2024]

Innes, C. (ed.). (2000). A Sourcebook on Naturalist Theatre. London and New York: Routledge.

Lane, Richard J. (2006) Fifty Key Literary Theorists. New York and London: Routledge.

Lisi, Leonardo F. “Nihilism and Boredom in Hedda Gabler.” In Gjesdal, K. (ed.) (2018) Ibsen’s Hedda Gabler: Philosophical Perspectives. New York: Oxford University Press. pp. 26-47.

Luckhurst, M. (ed.). (2006). A Companion to Modern British and Irish Drama, 1880-2005. Blackwell Publishing.

Pokharel, S. (2015) “Eccentricity in Ibsen's Hedda Gabler.” MA thesis. Tribhuvan University. Available at: http://elibrary.ratnarajyalaxmicampus.edu.np/bitstream/123456789/41/1/6-2-1-1086-2005_Pokhrel_Sandhya.pdf [Accessed 2 April. 2024]

Pravitasari, D. (2013) “Nora’s Struggles for Life Independence in Ibsen’s A Doll’s House”. Master thesis. Yogyakarta State University. Available at: https://core.ac.uk/download/pdf/33518103.pdf [Accessed 20 Jan. 2024].

Rollyson, C. E. (ed.). (2005). Notable Playwrights, vol. 1, New Jersey: Salem Press, Inc.

Sabir, H. H. and Arif, S. N. (2020) “The Use of Gimmick in William Golding’s Major Novels”, KOYA UNIVERSITY JOURNAL OF HUMANITIES AND SOCIAL SCIENCES, 3(1), pp. 145–149. https://doi.org/10.14500/kujhss.v3n1y2020.pp145-149

Shafiq, M. Masood, A. and Awan, A (2018) “Portrayal of Women in Ibsen’s Plays: A Feministic Perspective Analysis”, vol. 4(4) pp. 807-820. Available at: https://www.academia.edu/37822390/PORTRAYAL_OF_WOMEN_IN_IBSENS_PLAYS_A_FEMINISTIC_PERSPECTIVE_ANALYSIS [Accessed 29 Jan. 2024]

Suzman, J. “Hedda Gabler: The Play in Performance” in Durbach, E. (ed.) (1980) Ibsen and the Theatre: Essays in Celebration of the 150th Anniversary of Henrik Ibsen’s Birth. London and Basingstoke: The Macmillan Press Ltd, pp. 83-105.

Swarna (2020) “Self- Liberation vs Self-Renunciation in Hedda Gabler” Research Scholar. Smart Moves Journal IJELLH. Vol. 8. Available at: https://www.researchgate.net/publication/343269001_Self-_Liberation_Vs_Self-_Renunciation_in_Hedda_Gabler [Accessed 2 April. 2024].

Thomas, D. (1983) Macmillan Modern Dramatists: Henrik Ibsen. London: Palgrave Macmillan.

Torrens, B. (2002) The Power of Desire in Selected Plays by Henrik Ibsen, Edith Cowan University [Accessed 2 April .2024]. Available at: https://ro.ecu.edu.au/cgi/viewcontent.cgi?referer=&httpsredir=1&article=1891&context=theses_hons

Whitfield, G. (1965) An Introduction to Drama. Oxford University Press.

Williams, R. (1969) Drama from Ibsen to Brecht. New York: Oxford University Press.