تمثيل الكرد في سرديات الرحلات في القرن التاسع عشر
تحليل أسلوبي قائم على المتون اللغوية
DOI:
https://doi.org/10.14500/kujhss.v9n2y2026.pp690-706الكلمات المفتاحية:
الأسلوب اللغوي القائم على المتون، التمثيل، روايات الرحلات، الكورد، السفرالملخص
تتناول هذه الدراسة تمثيل الكرد في روايات الرحلات الأوروبية في القرن التاسع عشر من خلال منهج أسلوبي نقدي قائم على المتون اللغوية. بالاستناد إلى إطار إدوارد سعيد حول الاستشراق، قامت الدراسة ببناء متن لغوي من ثمانية تقارير سفر بريطانية من القرن التاسع عشر، بلغ مجموعها أكثر من ١,١٠٠,٩٣٤ رمزًا، واستخدمت برنامج (AntConc) لتحليل الكلمات المفتاحية والمتلازمات والمجموعات والتوافقات اللفظية. تشير النتائج إلى أن الكرد تم تمثيلهم باستمرار من خلال لغة تجانسية وجوهرانية، وارتبطوا بشكل متكرر بالعنف والفوضى والقبلية. عزز انتشار صيغ الجمع مثل "Kurds/Koords" الهوية الجماعية بينما قلل من الفاعلية الفردية. تعكس المجموعات المتكررة مثل "الكرد هم" والمتلازمات مثل "مسلح"، و"دمار"، و"متوحش" دلالات سلبية، متوافقة مع مبادئ الاستشراق في الغيرية والتعارض الثنائي. على الرغم من ظهور تصويرات محايدة أو متعاطفة في بعض الأحيان، إلا أن هذه التصويرات تم تأطيرها إلى حد كبير على النقيض من المجموعات الأخرى، مما أدى إلى إدامة التسلسلات الهرمية الثقافية الكامنة في الخطاب الاستعماري. توضح الدراسة أن الأسلوب اللغوي القائم على المتون يوفر أساسًا تجريبيًا لتحديد المواقف النصية والهياكل الأيديولوجية، مما يقدم رؤى جديدة حول تقاطع اللغة والتمثيل والقوة الاستعمارية.
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منشور
كيفية الاقتباس
إصدار
القسم
الرخصة
الحقوق الفكرية (c) 2026 Rawand S. Ahmad, Salah J. Jabrael

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