Surveillance Capitalism: A Critical Analysis of The Circle by Dave Eggers

Abstract

This study examines The Circle (2013) by the American writer Dave Eggers, utilizing Shoshana Zuboff’s concept of surveillance capitalism, a framework that foregrounds the commodification of personal data as a mechanism for corporate exploitation. By situating the novel within this theoretical context, the paper explores how pervasive surveillance technologies, depicted in the narrative, move beyond passive observation to actively shape and manipulate human behaviour, thereby reducing individuals to mere data points optimized for profit. This relationship illustrates the detrimental effects of data-centric systems on personal freedom. Focusing on significant events, particularly those involving the protagonist, Mae Holland, the analysis addresses the gradual erosion of personal freedoms in a society dominated by digital platforms. The narrative’s portrayal of technological encroachment serves as a critical lens to interrogate broader issues, such as the loss of privacy, the erosion of independent thought, and the diminishing capacity for authentic self-expression. These issues resonate deeply with current fears regarding the expanding reach of surveillance technologies and their potential to alter human agency. The study contributes to the discourse on surveillance capitalism by addressing the ethical challenges and societal repercussions of unregulated digital environments.   It underscores the substantial role that literature, as exemplified by The Circle, plays in resolving the ethical issues associated with technology. It promotes the integration of moral principles into the operations of technology companies and advocates for a reevaluation of society's relationship with digital platforms. It also encourages a human-focused approach to technology development and warns against the unchecked commercialization of personal data.